So, here I am kicking off June with a new Poppet paper doll named Posey.
I’d originally intended to give all my Poppets flower names beginning with P; however, I find I am rather running out of them. The only other two I can think of are Pansy (which I would use, except for that fact that it’s a rather derogatory name for an effeminate man and I just don’t like the connotation) or Peony which I will use one day, but calling the Asian paper doll Peony seemed horribly stereotypical. So, this leaves me with Posey for our new paper doll.
Anyone know of any other P flower names? I suppose I could branch out (pardon the pun) into other P girl’s names or simply other flower names.
Now, Posey’s outfit is based, very vaguely, on a some of the school uniforms I saw when I was studying in England, though it lacks the jacket. I drew the blouse first and I didn’t want to lose the sleeve detail by sticking it under a jacket.
Poor excuse, perhaps, but true none the less.
I confess that I’m not totally pleased with how the skin tone turned out… I recolored it at the last minute, because the other skin tone was horrible. Still, I don’t know how much I like it.
First of all, I want to wish a Happy Birthday to my sister without whom I would not have ever started collecting paper dolls. She is the one who bought me my Christopher Columbus Paper Doll Set when I was eight and suggested it was too nice to cut up. This started my uncut paper doll collection.
So, thanks Sis. I love you.
And, speaking of paper dolls… here is last week’s printable paper doll in cheerful full color. I am pretty pleased with everything about her, except my concerns about her mix and match limited wardrobe. I really like how the rainbow shirt came out and the rain-boots and the bright yellow rain slicker, but I’m still feeling that the mix and match options are a trifle limited.
On the other hand, I’ve done enough plain colored tops over the years that surely there’s something that would match in the paper doll archives. I don’t always think of my designs as being “kid-friendly”, but I think this really is a paper doll for kids. She’s got bright colors, a fun theme and I can imagine that on a rainy day, she’d be great to pull out for a quiet inside activity.
The playabilty (is that a word?) of a printable paper doll set is always a major concern of mine. One of the reasons I work in series is because I think it’s more fun to have lots of little ladies and lads who can share clothing, than to have a bunch of paper dolls who can’t. (Of course, I also do it because drawing people is the hardest part of this gig.) There are times I confess that I fantasize about transforming this blog into one where I just posted one outfit a day, everyday.
Someone told me they thought that would be more work than what I do now… honestly, I’m not sure. I think it would depend on how much I had to write about the outfit in question. Post writing is sometimes harder than drawing, to be honest.
Speaking of paper dolls for kids… Another little side project I’ve been working on is a magnetic paper doll for a three year old I recently met. Now, I need some help with this as I do not have children of my own…
How large would pieces need to be for a three year old to easily manipulate them? I want to be sure that she can play with her paper doll friend on her own without needing too much assistance from her mother. Thoughts from those with kids or experience with toddlers? Also, might she eat the pieces? I mean, I think at three most kids are past that stage, but I’m not sure… (Have I mentioned I have little experience with toddlers?)
Lastly, there will be a contest coming up, probably towards the end of the month. So, keep your eyes open for that.
This is a more wintery than summery paper doll, I think. Clarisa is a version of the German name “Clarice” which means bright, brilliant or clear. Clarisa is the Spanish form of this name. I think it’s a beautiful name for today’s Hispanic paper doll.
Lately, I have been struggling on the blog. The hardest thing for me to learn how to deal with in the last year has been this: Life is Not Ideal. Deal with It.
Though it might not be the most stirring life motto, I find I need it more and more. Every post isn’t going to ever be perfect. Every paper doll isn’t going to be perfect.
And maybe that is quite all right.
I started this blog, because I drew paper dolls and I thought it would be worth it to have an outlet for that art. I have to learn to accept that everything isn’t always ideal.
So, I might have concerns about the lace and how it turned out. I might have concerns about her lips. I might not really be pleased entirely with everything… I might have wanted to post a different series after last weeks Pixie paper doll…
In my head, Clarisa is a Hispanic paper doll or Latino, if you prefer. Why? Because I was chatting with a friend whose half-Mexican, and she was complaining about how I didn’t do enough Hispanic paper dolls. So, this is for her. 🙂
Originally I conceived Clarisa as being on her way to some sort of party- maybe a holiday party, but that was several months ago when I first drew this paper doll. Obviously, a hoiliday party is less likely in May, at least not one where such dark clothing would be appropriate.
Like Jaunty Summer Styles and Minimalism, today’s printable paper doll was the direct result of me purchasing a bunch of fashion magazines in March. Adannaya is rocking the “sporty” look which is very popular. Sort of high fashion meets gym wear and if that seems like an odd match to you then you are not alone (it seems an odd match to me too). Her hair is based on this fantastic updo which I pinned to my hair board on Pinterest. Lurking around my Pinterest boards provides sneak peaks on what I am currently obsessed with. Feel free to follow me.
Anyway, the name Adannaya is from West Africa, Igbo to be specific, and means “Her Father’s daughter” according to Behind the Name. I’m sure I’ve never used the name before. I liked that I could track it to a specific culture. I think calling a name “African” is just as absurd as calling a name “European”. There are about a hundred major African languages, so I wasn’t going to use a name if I couldn’t trace it back to the root language. For Adannaya the root language is is Igbo, mostly spoken in southeastern Nigeria. Someone who knows more than me about the region would know if it was a common name or not, I have no idea, but I liked how it sounded.
Anyhow, I’m traveling today, so I’ve pre-scheduled this to rule in my absence. I’ve nearly worked my way through my backlog that I spent so much of February and March building. I suppose this means I’ll be drawing a fair bit over the next few weeks trying to get caught up again. What I really need is another snow closing… but I doubt that’s going to happen. 🙂
If I was going to give out a prize for “set I colored the most times”, I think this one might be in the running for winning it. I think I went through four or five color schemes with this set.
I’m still traveling, so today’s post is a little late. I rather forgot it was Monday which tends to happen to me when I’m away from work and busy. I hope everyone had a lovely Easter sunday. I watched two little girls with matching Easter dresses ride their bikes up and down the street and concluded that they were, very possibly, the cutest things I’d seen in a long time.
Plus it wasn’t raining and that rarity in Southeast Alaska is a welcome change from the usual.
Meanwhile, we have our Jinn now fully colored with bright orange skin, blue hair and a colorful wardrobe. As I mentioned above, I went through quite a few different color schemes before I decided that I liked this one.
To be entirely honest, I am still not sure I totally like the colors. I find the more complicated patterns that outfits have than the more confusing the color schemes become. Plus our Jinn has orange skin, which doesn’t really help in the coloring arena. I wanted to keep her copper colored skin and blue hair, as Jinn are supposed to be made up of smokeless fire and scorching heat.
This maybe the only post this week. I might manage another one. I just don’t know for sure yet… travel can be exhausting.
One of the quirky things about working so far in advance is that sometimes I stumble across files I sort of forgot about. And today’s paper doll clothes post is one of those files. Opps.
This set of paper doll clothing was completed last year for the Ms. Mannequin series and I actually thought I’d posted it, but when I was looking through my files, I realized I never had. After a few moment of, “Well, now I feel rather foolish…” I decided to put it up. After all, there’s no reason not to post it even if it’s a little old.
When I had started this series I had decided to stick to a pretty small selection of colors designed to provide the most mix and match options for outfits, but in hind sight, I seem to recall getting pretty sick of the color options before the set was completed.
Now you might be thinking, but where are some paper dolls who can wear these clothes? Any of the Ms. Mannequin paper dolls can wear any of these stylish clothing options. Personally, I’m a sucker for that yellow sundress.
One of the big myths of costume history is that children were dressed like adults, but in miniature. While this is sort of true, I have yet to see a decade where there is not some, however slight, difference between children’s and adults clothing. The differences are often subtle and children were considered adults at a much younger age than we consider children adults today.
This is all by way of saying that I really wanted to make sure this fluffy dress (which has NO historical accuracy about it at all) felt like a child’s dress and not an adult’s dress. I think of the Poppets as between 8 and 10 years of age and I really hate it when I see child dolls dressed like adults, especially in historical outfits or psuedo-historical outfits.
So, to maintain the principle, I’ve shortened the skirts of her fluffy dress. See.. I have some principles (not a lot of them… but I digress.)
Actually, I’ve been thinking about principle’s lately. If you read Liana’s interview from Friday (and if you haven’t than you really should), she talks a lot about the problems of paper doll poses and the complications of paper doll design. I think about these things when I design a paper doll as well, but I also find I think a lot about the principle of correctness. I made this principle up by the way, but for me I think it’s about the correct outfit for the correct paper doll at the correct time.
By my nature, I am scattershot personality. I tend to work on something in the grip of interest, give it up when I get bored, and then move onto something else. Paper doll designs, projects, work endevaors, whatever, all become mixed about in the messy world I exist in. If I’m reading up on women’s publishing, than somehow this filters into everything else I do. I am very envious of people who can have firm divisions in their heads between project A and project B, but I’ve never been wired that way. This means my paper dolls tend to be schizophrenic. Astronauts to mermaids all have happened over the years. I think this is sometimes the charm of PTP, but I also fear it’s a bad thing. I find I envy people like Boots who commit to a theme and then stick to it.
I can not imagine trying to limit myself like that.
So, interesting fact for your day… Today in 1945, Tennessee William’s play the “Glass Menagerie” premiered in New York in 1945. Not that I suppose anyone really cares about that fact, but I have a certain soft spot for the “Glass Menagerie.”
Anyway, back to our paper doll, she would not fit in a 1945 theater opening, but she certainly could go to a show today. I am strictly of the view that one should dress up for theater, out of respect for the nature of live performance. A part of me winces, when I see people show up to Broadway shows wearing shorts and flip flops. Have some respect for the theater, people…
Wow, that’s quite the off topic subject… let’s get back to paper dolls, shall we?
I’ve decided, after quite a bit of dithering, to settle on Monica as my chosen name. I decided I liked the sound of Marisole, Mia, Margot and Monica. It’s different enough to stand out, but not different enough to be obvious. Minerva I think I should save for a fantasy paper doll and Miranda was a little hard at the end, but thank you everyone for your lovely suggestions. I really enjoyed getting to read all those M names.
So, historically, I’ve been posting a black and white B&B paper doll and then a full color version the next day.
I’ve decided that this technique is not time saving in any real way, unlike my spacing of my Marisole Monday & Friends paper dolls a week apart which saves me so many headaches, so I am going to start posting both and black and white version of the Buxom and Bodacious printable paper doll and the full color version on the same day. I hope no one minds this change, but I don’t think anyone will.
Anyway, to say something intelligent about the paper doll… I actually haven’t got much intelligent to say about the paper doll. This is one of those paper dolls the languished on my computer hard drive for weeks. I thought about working on it, got distracted and then moved on and eventually realized (like on Sunday) that all I really needed to do was layout and file formatting. So, feeling a little foolish I finished her up and here she is.
I confess to not being completely pleased with her color scheme. It feels a little sedate for my usual taste, but not every color scheme is a winner and that’s why the paper doll has a black and white option for coloring yourself.
Lastly, I want to give a shout out to Lina’s Paper Dolls. I’ve had her on my Links Page for a while, but keep forgetting to give her a little spotlight here. As I always say, new paper doll blogs make me happy. Check her out and drop her a comment when you have a chance. Paper doll bloggers need all the encouragement we can get. 🙂
It’s a Margot paper doll this Monday, the first for the new year, I think, and she’s sporting some stylish garb from the 10th century. Yesterday, I posted a pretty long ramble about 10th century Anglo-Saxon women’s dress and if you’re interested, I recommend reading that as well as this post, since the two rather go together in chronicling the epic research adventure this paper doll was.
One of my January drawing winners, Gwendolyn, who asked for this paper doll has been very kind as I slowly did my research and then set to work on drawing the set. I won’t pretend it hasn’t been both stressful and time consuming, because it has, but I am utterly pleased with the outcome and I hope she is as well.
Gwendolyn wrote me that:
I have actually thought a little bit about what I would choose if I ever won, so I can tell you now that I am interested in a Marisole-family doll, who is 10th century Anglo-Saxon. I would love a set or two of daily clothes, but I would also love a maille shirt and helm.
Speaking of the maile shirt, it is based on Anglo-Saxon finds in York and the helm is also based on the same thing. As women didn’t wear maile, I didn’t spend a huge amount of time researching the historical accuracy of such a garment. Personally, I’ll confess, armor doesn’t get me going like clothes do.
So, let’s talk about the clothes. As I explained yesterday, 10th century Anglo-Saxon’s women dress consists of several layers of clothing. To begin with Margot (our Anglo-Saxon model with a French name…) wears a pair of leggings with windings around the calves and shoes. The shoes come from Anglo-Viking finds in York dating from the 9th Century. The windings around her calves are based on an illustration from the manuscript Psychomachia (British Library MS Additional 24199) which shows a barefoot women on horseback. Sadly, the manuscript hasn’t be digitized, but there is an illustration in Owen-Crocker’s Dress in Anglo-Saxon England. There is no way to know what the top of such leggings looked like. I made them like this so they could be worn with the maile shirt.
The shift’s neckline is based on an illustration of a male farmer’s tunic illustrated in Tiberius B v calendar (British Library MS Cotton Tiberius B v, fol. 4r) and the sleeves are wrinkled as I discussed yesterday. The necklines of the other dresses are also based on the necklines of men’s tunics in the 10th century.
The veils are based on manuscript illustration, though I had added visible pins. Pins are commonly found from this period and it seems logical they were used to hold veils together. The green veil with broach is based on an illustration of the Virgin Mary from the first half of the 9th century (see Plate 1). The brown “poncho” is based on several illustrations and I discuss these cloaks a lot more in yesterday’s post.
Lastly, the embroidery on the red dress is not based on anything specifically. I wanted to use some patterns I found online, but they were far to detailed to easily make tiny enough to work as illustrations at such a small size. I did not include girdles as there is almost no published information on them and I didn’t want to just invent stuff. The colors used in these garments are based on the colors of the famous Bayeux Tapestry (which is not actually a tapestry, but that’s neither here nor there).
Well, I hope everyone has enjoyed the last two days in the 10th century. I certainly have had fun researching and I hope to do some more medieval period paper dolls now that I know more about the eras in question. (I think my next one will be 1300s, a little easier than 900s.)
