So, with last week’s paper doll I spoke a little about why I decided to dabble in the Southwest trend this season and today I wanted to show off the colors I used for the paper doll set. I knew from the start that I was going to be using a desert inspired color scheme. It is the Southwest, after all.
As a child, we visited the Grand Canyon. I will always think of reds, browns, ochre and sandy khaki when I think of that landscape. I confess to not being much of a desert person by nature; however, I do think they can be astonishingly beautiful.
I did not want to fall into the trap of just using a monochromatic warm color scheme though, so I also decided to include a pale turquoise, a very pale bayleaf green and a darker green for contrast. Normally I try to keep my color schemes to five colors, but this set needed a lot more. (I blame it on that patterned pencil skirt.)
Obviously, I am embracing the fantasy options for my paper dolls today. Actaully, I have been really paper doll productive over the last few weeks and have managed to get a lot done as far as wrapping up old projects. This set is actually the first thing I drew in my current sketchbook and I am now, finally, getting it posted live on the blog, several months later.
Next week there will be a page two of this set with three more dresses, two more pairs of shoes and some other accessories. Sometimes, I get into something and draw more than I mean too. Also, I am still learning with B&B paper dolls how many pieces I can fit on one page.
To give credit where credit is due, I was inspired by this gown from Armstreet which is entitled The Alchemist’s Daughter; however, why be the daughter when you could be the alchemist? I would way rather be the alchemist than be the daughter of the Alchemist.
Oddly enough, Alchemy was considered serious business for hundreds of years. Newton, for example, was an alchemist (he was also a bit of a crazy dude and stuck needles in his eyes to test various optics theories, but that’s a whole different issue.) Probably the earliest attempt to clarify chemistry from alchemy was Robert Boyle‘s Skeptical Chemist (1661) and we can either thank or blame Boyle for helping found modern chemistry. As someone who hated chemistry in high school, I confess to mostly blame Boyle. Never the less… important chap.
My favorite part of drawing this paper doll set was getting to draw the accessories. I imagine this alchemist is also the court astrologer. Astrology, mythology and religion were all wrapped up in alchemy theories. Our alchemist has an astrolabe, a tool for predicting the star and planet movements, a falcon, a tool for hunting small mammals, and an armillary sphere, a tool for modeling the planet’s movements. Most of the symbols on her bottles are actual alchemical symbols. So, that was fun to research.
The dress on the left is more of a work dress with a heavy leather apron for protecting her gown from spills and the dress on the right is more of a formal costume with the fancy chain belt. Also, she has some closed toe boots in case of spills of mercury and other things.
Next week I will show off her other three dresses, also more tools and some other rocking shoes. On that note, I am going to go to bed. 🙂
Last week, the circus came to town in black and white for coloring, but here the paper doll set is in full color. I am really very pleased with how she came out. Sometimes, I know what I am doing with a paper doll set before I start coloring. Other times, I have no idea what I am going do with colors. In this paper doll’s case, I had a pretty clear idea of where I was going to go before I got there.
One thing I noticed as I was collecting images on my Dark Circus Pinterest board was that there was a bunch of red and black. I wasn’t sure what I wanted to do with the red and black, but I knew there was going to be a lot of it.
Creating a red and black paper doll set was kind a boring, so I did not go with a strictly red and black color scheme (though there is a lot of black and white here).
With straight red, black and white, I got bored very quickly and worried about the scheme clashing with the paper dolls pink hair. Instead, I decided to try basically creating two sets in one. There is a black and red set and also a pink and black set. Both sets had a pair of shoes and there are some pieces which can be worn with either color scheme.
I think this effect of “two sets” in one works, because circuses are all about costumes and costumes tend to match more than normal clothing.
So, today the Poppets paper doll series is traveling to the 18th century and rocking some beautiful clothes. One of the great myths of historical costume is that children in the 18th century were dressed “just like adults” and while there is some truth to the fact that children wore very similar clothing to adults, it was rarely identical. Skirt length is a common way to tell that a dress was intended for a child, rather than an adult, along with simpler lines and decorations.
I must have colored and re-colored today’s Marisole Monday & Friends paper doll set, a dozen times before I settled on this sort of dusty teal, cream and rose color scheme. Seriously, sometimes paper doll coloring is really quite frustrating.
I do love the way the paper dolls look when they are colored and I like choosing colors and playing with color schemes. I don’t think I could ever switch to just black and white.
I really wanted to do a sort of classic princess/fantasy look with this set. I don’t generally draw thinking about children, but sometimes after I’ve done some of my stranger paper dolls (like the dark circus paper doll I’m working on), I find I want to also do things that are strictly for kids.
Of course, I also stand by my rule that if you don’t think one of my paper dolls should be given to a child, than don’t give it to a child.
The next things down the pike are going to be a historical poppet set later this week and then a Marisole circus set and then I’m honestly not sure… Flock need some love and so that might be the next thing to work.
Over the years, I have done a fair number of steampunk or neo-victorian inspired sets of paper doll clothing. I’d name them all, but I really don’t feel like digging through the blog’s massive archives to track them all down.
Generally, I see the whole steampunk thing as an version of the Arts and Crafts movement of the 19th century. A sort of call back to a fantasy of an analog time while ignoring major issues of the actual 19th century like lack of labor protection, colonization, and treatment of the mentally ill (to name a few), just as the Arts and Craft movement exalted the medieval and gothic periods while ignoring the plague. Within reason, I don’t find this troubling though sometimes I do worry that when we exalt certain periods of history, than it is far to easy to ignore their horrors.
And every period of history, including our own, has a few horrors.
Still, I have always found alternative fashion movement fascinating, be it goth, punk, steampunk or the dress reform movement and therefore have every intention of continuing to draw neo-victorian clothing for the blog.
Somehow today’s set got awfully Christmas looking with the red and the green color scheme. I was thinking more burgundy and olive while I started, but it came out a bit brighter than I’d intended it to be. Despite the small number of pieces in this set, there’s actually 18 outfit options and more if you include the shoes each of the Ms. mannequin paper dolls come with.
Okay, quick question to my readers. I’m debating working on Flock stuff this coming weekend or working on Pixies. Anyone want to express a preference?
Well, I have been working on backend server CPU issues with my shared hosting service. Nothing really serious, but stuff that has to be dealt with for the blog hosting to continue to be cheap enough for me to justify continuing to keeping it online and free.
Still, I owed a paper doll to my last drawing winner, Lina of Lina’s Historical Paper Dolls, and I was not about to put off finishing that for another week, because I would keep feeling guilty about it.
Lina requested an 1880s period Marisole Monday & Freinds paper doll with a ballet outfit and several other dresses. I had some trouble getting all the pieces to fit on a single page, so I omitted some shoes from the image.
Should you want proper shoes to go with this set, then I recommend checking out On the Board Walk in color or black and white or Mia Goes to the Bathing Place in color or black and white. Both of those sets both have button up style boots which, while not period, are close enough to not look totally awkward.
Lina was kind enough to send me reference photos and specific colors for the hair, skin and eyes of the paper doll, but left the color scheme mostly up to me. I wanted to use some rich colors, because by the 1880s chemical dyes were common and rich colors were very much instyle. There is a habit to think of the 19th century as sepia colored, because of sepia photos, but it was actually a rather garish era.
So, Lina also asked for a tutu based on this painting by Degas. The painting dates from 1871, a little earlier than the other costumes in the set. I omitted the sash, since I based the dress on the center figure. I don’t think the layers of the skirts really look like tulle, which bothers me. Liana has some great tulle on her blog.
The ballgown was based on this fashion plate. The gown was red, but I made it peacock blue based on a description in English Women’s Clothing in the 19th Century by Wilett-Cunnington that mentioned peacock blue ballgowns. I hate drawing lace, but it came out all right, I suppose.
The last two outfits are a swimming costume and a house dress. Old swimming costumes were extremely complicated and not very easy to swim in. Generally, I think of them as wadding costumes. Lina sent me this picture and I based it off that.
The house dress is classic 1880s style with bustle, drawn up skirt and long pleats. It’s a pretty typical gown for its period. Lina sent me this photo and I based the dress off of it. I omitted the pattern on the dress, because I knew it would reproduce poorly in the small scale of the paper doll set.
And that, as they say, is that.
If you haven’t ever checked out Lina’s blog, Lina’s Historical Paper Dolls than I recommend taking the time to do so. She makes wonderfully interesting historical paper dolls.
We’re traveling to the turn of the century today for Viola, a printable paper doll with her wardrobe from 1895 and 1900. She can be printed in black and white or in full color. Viola’s name was selected from the Social Security Baby Name Index as popular in the 1890s. Fashion in the mid to late 1890’s exists between huge puffed sleeves and the rather horrid pigeon breasted look. Not being a fan of either style, I never thought I would do 1890s paper doll, but I found I liked the fashions at the end of the century, so here she is.
Honestly, the way I look at history has been heavily influenced by the historical paper dolls I had as a child, sparking my interest in social history and fashion history. So, I think historical paper dolls are great printable paper dolls for kids and I’ve only recently discovered that a number of people who use my paper dolls for home schooling activities. All of this increases the pressure to get the paper doll “right”, lest some child’s understanding of 1890’s dress be damaged by my paper doll creation. (Not that I think this would be devastating for the child in question- there are far worse things in this world.)
The mid to late 1890s wardrobe that Viola has is based on museum objects, primarily, and a few costume plates. The Met, The Museum at FIT and MFA Boston, as well as the UK National Trust were a few of my sources. When I am researching a new paper doll, I tend to collect my sources on my Pinterest boards (feel free to follow) and today’s printable paper doll is no exception. I gathered her clothing sources on my Turn of the Century board, before I started drawing.
One of her parasols was based on this one, but the other I rather invented based on a lot of various parasols I looked at. The Met actually has a really large collection of parasols, who knew?
Her seaside or yachting costume was inspired by this dress from 1895. There seems to have been a real “sailor” trend in the end of the Victorian period during the bridge into Edwardian.
The carriage toilette in green is from this fashion plate I found on flickr, though I confess to usually trying to avoid finding things on flickr, since I don’t always trust the accuracy of the sources.
Were I to draw today’s historical paper doll again, I would have included a pair of gloves and another pair of shoes, but that would have made her three pages and I wasn’t about to that. Of course, should you wish to add gloves, than I will direct your attention to the Regency Pixie Paper Dolls whose gloves could certainly be adapted here.
Sometimes, I struggle to get started on things, especially when I don’t really want to do them. Saturday night came around this week and I really didn’t want to work on this paper doll. I admit it, the orange dress was giving me fits and I was starting to loath my Pantone Spring 2014 Color Report inspired color scheme.
So, I literally set a timer.
Instead of blowing it off, I took out my cellphone and set a timer for 25 minutes. I told myself I would work on today’s Monica paper doll set for 25 minutes and then I would go do something else. Surely, I could suffer through 25 minutes of coloring. Of course, once the 25 minutes was up, I was so far along that I decided I might as well finish.
And here she is, all colored and everything.
I use a timer to do all sorts of things. From cleaning my apartment in fifteen minute bursts to inking for twenty minutes, I find that once I have done something for a short period of time intensely, I often keep going since I’m already in the middle of it. I hate not finishing things, but sometimes I struggle to get started on them.
As I mentioned before, this set’s color scheme is based on Pantone’s Spring 2014 Color Report and includes several of the Pantone colors. I’m not totally in love with the color choices, but I wanted to stretch myself beyond the colors I tend to naturally gravitate too. Plus, I have done other Pantone inspired color schemes like my Seagulls and Seaside that used the 2013 color report and my Fashion Girl set from 2010 that used the 2009 and 2010 Spring Reports.
Today’s paper doll is, as expected, a Marisole Monday & Friends paper doll in full color with a stylish spy wardrobe.
My mother wanted me to mention, after reading my last post about Secret Agent Man, that she did not like Johnny Rivers and it wasn’t her fault that it came on the radio. And that in the days before playlists I should be happy that I get to pick what music I listen too.
Apparently suggesting that she was a Johnny Rivers fan was a deep insult to her hippy, anti-establishment ways.
So, I went back and forth about the right color scheme for this paper doll set. Part of me thought that yellow and pink were a little bright for a super spy, but then it occurred to me that no one would expect a super spy to be wearing yellow and pink. By the way, the short hair style Marisole is sporting is actually her base hair. These days I often draw my base dolls bald which helps when I have to draw hair for them, but back when I drew Marisole I didn’t do that. In her first post ever, she is sporting this hair style. That was back in January of 2010, though I actually drew Marisole sometime around 2008. She sat in a pile of unused base dolls for years before I finally decided what I was going to do with her. I think that’s sometimes the odd thing about working with her. She’s drawn in a style that I don’t know if I would, or even could, use today as my art has evolved.
Oh, by the way, something I am curious about this whether people like colored paper dolls or back and white paper dolls better, so I have changed out the poll in the sidebar. Vote if you want and also consider entering my current contest/drawing if you haven’t. 🙂
