It has been a while since we saw Marisole, hasn’t it? I mean… at least since early April, I think.
As her friends grow, I find I sometimes miss her. She is the longest running paper doll on this site and I really do still have a fondness for her.
Today, Marisole is rocking a wardrobe inspired by the boho looks of brands like Free People. I have only recently discovered Free People and if I had a job where I could get away with wearing their clothes on a regular basis, I would. I also wanted to draw a jumpsuit. I don’t like jumpsuits, but they are in fashion and I am trying to be more open minded about them. Today’s Marisole paper doll also has glasses, because I think glasses are cute and I don’t draw enough paper dolls with glasses.
I also have horrendous eyesight and am blind as a bat without my contacts in. As a child, I had glasses and I hated them. Maybe a paper doll or two with glasses will help kids not dislike glasses so much.
Over the years that I have been drawing paper dolls, which has been a fairly long time, I have come to realize that I really value diversity and variety in my paper dolls. I can’t imagine just drawing modern paper dolls or just drawing historical paper dolls or just drawing fantasy paper dolls. One of the things I like about paper dolls is that they can literally be anything. I’m about to get through the last of the backlog I have of Marisole Monday & Friend’s paper dolls. I have one more after this colored and one more waiting to be colored.
That means it is time for me to return to my sketch book. I’ve made a poll to help me decide what I should make next for them. Below I’ve listed my four major ideas. Vote on one of them and I might make it.
What Should I draw Next for Marisole Monday & Friends?
A ballerina or dancer. Tackle your fear of tutus. (38%, 36 Votes)
Space princess! Like a normal princess, but with ray-guns in space! (29%, 28 Votes)
Something for Marcus. Anything. Poor boy needs some more clothes. (19%, 18 Votes)
A warrior with armor. Lots of Armor. (14%, 13 Votes)
I first stumbled across Cranach dress or gowns in this rather gruesome painting of Judith with the Head of Holofernes months ago and her gown was fascinating. I didn’t know much about it, except that it was painted by Lucas Cranach. As it turned out, I discovered as I did more research, that the artist- Lucas Cranach the Elder- painted countless versions of this gown on countless both real and mythological figures. Coming out of the Saxony area of Germany, Lucas Cranach was hired by Fredrick the Wise who to be the court painter of his court in 1505 and Cranach stayed there for the rest of his life. He was extremely prolific and his art is distinctly romantic and stylized. Even his portraits all rather do look the same after a while, I have to confess.
However, there is a debate as to whether or not Cranach’s gowns actually existed in the real world. Here’s my view: We don’t have an extant one, but then we don’t have very many extant garments from this era anyway. Should we find one the debate would be settled, but until then we have to work with the primary sources we have. The value of fabric and the expense of clothing was so great the people usually chose to be painted to garments they actually owned.
Plus, I tend to approach history with the belief that in the absence of proof to the contrary, we should assume that people of the era were not trying to mislead people of the future. Why commission a family history with crests and portraits of your family, if you are not going to accurately render the people in the images? Das Sächsische Stammbuch – Mscr.Dresd.R.3 is a collection of portraits of Saxon nobles. Why put the princesses in imaginary gowns?
The first question I struggled to answer was if the nets of pearls so often seen the women’s hair in these portraits were actually nets of pearls, or rather some sort of cap. This article on these caps lead me to conclude it was a cap, rather than part of the hair. The paper doll’s shoes are fairly standard 15th century shoes with squared toes. Her hats are based on portraits of the era.
I picked out colors based on the main colors I saw in the portraiture which were red and black. I really wanted to do blue as well, like the illustrations of the Saxon princesses and so I did a blue gown as well. I did wonder, however, about the blue. Color is often symbolic in manuscript illustration and I wondered if perhaps blue was used to denote virginity (the Madonna was associated with blue) rather than to render the actual color of the gowns. Never the less, I thought they looked pretty and that was enough for me. I made the paper doll a redhead, because I have a thing for redheads and so did, it seems, Cranach.
The most useful document was Das Sächsische Stammbuch – Mscr.Dresd.R.3 and I owe a debt to the library that digitized it. It it through this digital work that people like me can see the great artifacts of Europe and study them. I am well aware of the risks and time such projects take, so I am grateful when libraries and museums undertake them.
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And, of course, thoughts in the comments are always valued.
So, I’m posting a third paper doll this week, because I totally only posted one paper doll last week. I guess this is my “apology” paper doll. 🙂
Faye here is rocking some modern outfits with geometric patterns. As I think I mentioned before, Faye is named for a Chinese student I knew in graduate school. Someone asked me how I name my paper dolls and really it is mostly out of the clear blue sky, though I tend to avoid naming them after people I’ve known who I didn’t like. There’s certain names that shall never grace a paper doll.
I used one of my favorite tools to create the patterns in this paper doll set. It’s called a drafting template and they come in all different styles. I wrote about my favorite tools a while ago. Anyway, I love them and they make from a great starting point for interesting patterns on paper doll clothes.
I usually draw a single repeat or two of my pattern and then construct the pattern in Photoshop. It’s not a hard process, but is it something people would like to learn about? I could do a tutorial I think.
Hazel also has a heavily geometrically inspired set of clothes from last year entitled Hazel’s Geometric Style. When I first named today’s paper doll set, I nearly used the same name which would have been awkward. The similar styles I think lend themselves to lots of fun mix and match opportunities though. If you combine today’s paper doll set with Hazel’s Geometric Style there’s 274 outfit possibilities, not even including the accessory items. Pretty remarkable.
I love the styles of the early 1930s and I wanted to create a paper doll that showed them off, so here is Lois- a paper doll of the early 1930s. That is to say, everything in it comes from 1930-1932.
It’s common to speak of the last century of fashion as though it happened in neat decade compartments. In reality, fashion doesn’t care what decade it is. It moves based on cultural and social shifts, often subtly, and then you look around and notice that the silhouette has shifted. Rarely, fashion changes dramatically over a short period, but only very rarely.
So, when looking at the early 1930s, as this paper doll does, you might be struck at how close these dresses are to the late 1920s. In truth, they are very similar, because fashion just doesn’t change that quickly. The Great Depression will catch up with the styles of the 1930s, it just hasn’t yet. All of these dresses are drawn from images in the book Everyday Fashions of the Thirties As Pictured in Sears Catalogs published by Dover. The Sears series from Dover is an inexpensive way to gather up books the show what people wore, rather than what fashion magazines thought people should be wearing. I own almost all of them.
I have mixed feelings about my color choices. I knew I wanted to pick a color scheme where I hats could go with either of the dresses, but I don’t know how successful I was. I really do like how the white hat contrasts with her dark skin and I like how rich the red coat looks, but I’m not so sure about the yellow dress. The early 1930s is a very art deco influenced period and that makes me happy. I love the asymmetrical styles and the often surprising details.
Unlike my 1920s Pixie Lynn, I actually gave Lois some undergarments. She has a girdle decorated with flowers to go under her dresses. She should, technically, have a slip to go over that and panties to go under it, but its a start.
I would have to pour through all my posts to be certain, but I think this is my second 1930s paper doll ever. The first was way back in 2010 for my original Curves Series and is just called 1930s. I got totally distracted looking through those old paper dolls trying to find the 1930s set I was pretty sure was there. It’s strange to go back and look at things I drew four or five years ago.
Some of them paper dolls I still really like and others I don’t. It rather makes me want to take on a project like Julie’s toddlers where she goes back to older color schemes. I’ll have to think on it. I don’t want to “redraw” old things, but there are some ideas there that I think could be reexamined fruitfully.
Back when I first drew this base doll for my 1300s paper doll set, one of my regular readers, Jazz13, suggested that I name her Megan.
I have several friends named Megan (spelled all sorts of ways) and I wasn’t sure I wanted to name a paper doll after them. Then, my boyfriend, remarked out of the blue that he thought she looked like a Megan. I was a little surprised and said, “Okay, well maybe…”
Then I spoke to a very close friend and got permission to name the paper doll after her. So, I am pleased to present Maeghan, the new member of the Marisole Monday & Friend’s family.
The friend for whom I named the paper doll wanted her to get to have crazy absurd dresses or clothing with pockets. I confessed the paper doll was already drawn and colored, but promised the next one could have crazy fantasy gowns.
The unusual spelling of the paper doll’s name as Maeghan, rather than the more common Megan or Meghan, was chosen because that’s how my friend spells her name and spellcheck thinks its a misspelling and I’m not sure she’s ever gotten over it.
(When she reads this post, I am totally getting a text.)
Anyway, I hope everyone likes Maeghan and her contemporary wardrobe which does not, I am sure, have enough pockets for the real Maeghan to be entirely pleased.
Lastly, I’d like to mention that it is Memorial Day here in the USA where we recognize those who have served and died for our country in the Military. While I always intend to draw something more fitting, I never seem to actually get around to it. Never the less, I consider it an important holiday and we should take a moment today amongst our barbecues and shopping sales to think about the reason for the holiday.
I won’t be barbecuing, personally. I will be stripping horrid wallpaper off a kitchen.
This isn’t my first foray into the whole “regency steampunk” genre, though I don’t know if this genre already exists or not. My first foray was back when I did my Best Friends set and one of their pages was regency steampunk.
This is my second foray into the genre. I think it is largely more successful, mostly because I am a better artist now than I was three years ago. I still struggle with making goggles that really “work”, but I have hopes that eventually I might figure it out.
Steampunk fascinates me just as much as Gothic fashions and Cyberpunk fashions fascinate me. I am always interested in alterative fashion cultures as they reflect some part of our cultural fabric. Despite finding them interesting, I have never had any desire to “dress up” in steampunk. I simply don’t like wearing costumes, a fact which shocks many people when they find out I draw paper dolls.
So, I’ve spoken before about my pet peeve that fantasy people are always white skinned, as a result I gave my steampunk regency paper doll a soft brown skin-tone. I was going to say “mocha” skintone, but I have been trying to avoid using food words to describe skintones. They just kinda creep me out. Something about my skin being called peach or cream, or calling someone else’s skin chocolate or spice, sorta… I dunno. I’m not sure I want to think of my skin as a food product. It’s a little Hannibal Lector, you know?
Anyway, moving on… The colors are based on actual common early 19th century colors including Turkey Red and Indigo. Both of these colors are produced by dyes from India or Turkey. They are such rich colors that I countered them with cream and black. Personally, I love how real natural indigo fabrics look. It’s an amazing color.
Be sure to cut along the dotted lines so she can wear her clothes and the floating tabs should keep her little top hats on her head.
I’ve never seen anyone else combine the early 1800s silhouettes with steampunk, so maybe it has a name already and I don’t know it. Either way, I am trying to decide what to call this new genre of fashion and therefore have a poll. Plus, you know, polls are fun.
What should we call early 19th century dress combined with steampunk?
Regencypunk (29%, 12 Votes)
Austenpunk (29%, 12 Votes)
Empirepunk (22%, 9 Votes)
Just Steampunk, it doesn't need another name (17%, 7 Votes)
Other... I'll tell you in a comment (2%, 1 Votes)
Total Voters: 41
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Yesterday was Mother’s Day and I hope everyone who should of called their mother did actually call their mother. Anyone who is a Mother, Happy Belated Mother’s Day. My own Mother reads this blog and she is, I must say, about the best Mother a girl could have. I love her very much and her support has always meant a lot to me.
One of the thing I inherited from my Mother was a love of Asian clothing, particularly the amazing textiles that go into kimono. Seriously, if you’ve never just gazed in amazement at Japanese textiles, go check out this kimono or this one or this one.
Anyway, I tend to think of today’s paper doll as a cousin to my Tones & Shades paper doll that I did back in 2011. Like Jai from last month, this isn’t actual Tang Dynasty dress or actual kimonos, rather it’s a strange fantasy mixing of a lot of different styles into one.