There’s quite a few other Regency paper dolls out there. I thought I would call attention to a few of them along with today’s Flora post. Monica posted a regency dress of her own over at her blog. It’s a beautiful blue and brown one. I feel like I should promote other regency paper doll costume since that’s what Flora is all about. Liana has done some regency paper doll dresses as well with this white one being my favorite. Or, if you want something full color and beautiful, there’s always Helen Page’s Regency Lady of Quality which is lovely, if not terribly historically accurate.
As for the current set of dresses for Flora, we have a walking costume based on a fashion plate from 1812 and a day dress based on the fact that I have a circles template that I don’t use often enough. Also, I wanted to do something with a pattern. Patterns kinda scare me, so I am trying to do them more often, but they are time consuming. Despite the tendency to assume the entire Regency era was white, there was actually quite a bit of color in fabrics. Turkey red fabrics were especially popular.
I usually don’t go for Rose Ballgowns but I liked the grace of this costume and I really liked the sleeves. I didn’t mimic the plate exactly and I sort of invented the front of the dress since I only saw the back of the dress. I included gloves, which were needed since the sleeves of this era were so short, shoes to match and a wig styled with roses. So, it’s pretty much a whole Flora outfit.
Really this outfit happened because I have wonderful friends. As I wrote before, I have supportive friends who seem to be fairly relaxed when I say things like “Yeah, I’m thinking about buying Instyle so I have some paper doll fodder.” And they nod as though this is a normal thing to say while standing in a drug store at 10 pm on a light night chips run. In fact, sometimes they go through it with me telling me what I should draw though usually their picks are more hilarious than practical.
(I don’t really fancy the idea of drawing nine million sequins. Sorry guys.)
But when one of them told me this was the dress I should draw of a set of dresses I was looking at, I decided to go for it. It was the right period and fun, if a little fancier then what I usually draw
So, we’re a little late today and I am sorry about that, but as I’ve said a few times around here. School comes first. Flora’s costumes are often challenging, because I like to have lots of reference images before I try to draw anything. I’m always looking for more information on the right era of costumes for the paper doll.
The ballgown on the left is based on a plate from 1812. It is one of the costumes I have wanted to draw for a long time, but it was a challenge for me. I love the yellow trim. Her promenade costume is based on a different plate from 1814. The popularity of the ruffs around the necks of costumes in this era are very interesting. I don’t know if I like the look, but I feel like I have to include them as a matter of keeping things accurate.
Usually, I try to save my notes as to where I get my fashion plates that evolve into paper dolls, but I forgot this time, I’m afraid. The dress on the left is a promenade costume and the dress on the right is a day or walking dress. I am realizing I haven’t yet drawn gloves for Flora and I should. When short sleeves were standard, the need for gloves was pretty serious. England is not, after all, the warmest country.
So, I’ve got up a new poll, again, largely for my own amusement more then anything else. It’s a question I have always wondered about and now I get to know the answer.
The dress on the left is not based on anything, really, but the one on the right is based on a fashion plate from the Casey Fashion Plate Index. The Casey Fashion Plate Index demonstrates both what I love and what I hate about a lot of library digitization projects. It’s a wonderful resource, but navigating it can be a real chore. And the lack of searching flexibility annoys me. Still, you win some and you lose some in the land of digital print indexes.
I know someone asked for wigs with this paper doll, so here is one. The design is based on illustrations from Corson’s Fashions In Hair which is the seminal text on hair. An absolutely amazing text. And on my wishlist of things I want someday.
Maybe it’s just because I’m a sucker for a good looking trousseau for a paper doll, but I love this 1940’s paper doll from The Paper Collector. If you’re not a regular reader of The Paper Collector, then you are missing out on daily updates of neat printed paper things from postcards to some dynamite paper dolls. It’s one of my not so guilty pleasures each day.
So, the question on the table should be “How are these regency dresses unlike all other Regency dresses?” and the answer is ‘Because they are from an earlier period.’ (I realize this is kinda a Passover Seder joke and those of you who have never had to sit through one will not be as amused as those who have). The answer is not because we get to recline while coloring them (another Passover joke), but rather the shape of the dresses. At the turn of the 19th Century when it was just beginning (around 1800), the shape of the dress was nearly flat on top with a fair bit of fullness in the bottom though it shifted away from this form fairly quickly.
As the fashion plate from 1800 shows, the shape of these dresses was slightly different in the late 1790’s and early 1800s. The plate I based these costumes on, as well as many others, can be seen in the Claremont Colleges collection. It’s a wonderful collection of fashion plates.
In other news, Erin (who doesn’t have a website I can link, I don’t think) correctly identified my favorite holiday as Purim and therefore as won my contest. Purim is coming up in March (like all Jewish holidays, it starts at sundown and then goes until sunset the next day). There will be a Purim paper doll, I just haven’t decided if I want to make it a Pixie or a Marisole doll or something totally new. Thoughts continue…
Erin, if you could please send me your request (paperthinpersonas(at)gmail(dot)com). I’ll need hair color, eye color, style and anything else you want to tell me. Thank you.
The dress on the left is based on a Hyde Park walking costume, but I think it should be a riding habit since I haven’t seen many very good riding habits from this period. Also, the hat amuses me pretty deeply. The Hyde Park walking costume is a fashion plate from the Casey Fashion Plate Index.
There’s a new-ish paper doll blog called Silent Moonstone which features some darling paper dolls. They sent me a very nice email asking about how I color Marisole and Pixie. The short answer is that I use a combination of Photoshop and a filter called the B-Pelt Filter. Someday, I might make a tutorial with a long answer, but for now that’s how I do it.
Oh, and I suggest people check back on Sunday. There’s something fairly exciting happening here on Sunday. Okay…. I think it’s exciting… no one else might.