My favorite part of this set might be the wacky looking musical instrument. Just maybe, because I also love both of these dresses. Rarely do things come out as close to how I imagined them in my mind.
I am fascinated by historical dress, because dress is one physical manifestation of social and cultural phenomena. By it’s nature, dress is tied to technology and trade of the time when it was created. So, when I am creating a fantasy dress set, part of the process is thinking about consistency in design elements to create an coherent vision for a whole set. This vision comes out in both the sillouhette of the costumes and in specific repeated design elements.
The silhouette for all of Her Ladyship’s paper wardrobe is a high waist with long sleeves and square necklines (the riding and skating outfits don’t have square necklines, but we’ll get there in a minute). Nearly all the dresses are layered with an under-dress and than an over-dress on top. The two dresses that violate these rules are both for activities that, due to their athletic nature, have masculine overtones. The riding habit and the skating costume are both inspired by men’s wear.
Her Ladyship’s wardrobe feels like a “set”, because the outfits repeat design elements and style. This is also something I try to do with my one page fantasy sets and my contemporary sets. Dionisia’s wardrobe is held together by doublets. Akemi’s armors are all angular and layered. Denise’s contemporary clothing embraces various types of pleats. If a set feels disjointed, chances are that it is because there are not repeating elements to connect the items.